Somnath Hore

In the history of Indian art, the words, ‘Dhyan’ (contemplation) and ‘Dhyani’ (one who contemplates) find perfect expression in the life and works of Somnath Hore. An individual represents embodiment of so many cross currents. His participation in active leftist politics in a very early stage of his life, his imprisonment and later, his resignation from active politics as well as party membership while remaining true to his ideology indicate his uninterrupted exploration of his own self through artistic independence. His Tebhaga-r Diary is an important document in the cultural history of India. In the field of modern Indian print making, his thematic and structural innovation go beyond the limit of national boundary of art. Both wound and its cure remain instantly present in his art. The sphere of his work is ever-adorned with a heartfelt affection towards humankind and animal world and the entire world as well. When he became engrossed with his sculpture, Indian art got in touch with a different kind of novelty. He dedicated his life in attainment of the essence of art. He himself became a milestone in the world of art while searching for his own destination. Debovasha feels immensely proud to have organised his pre-centenary exhibition containing more than hundreds of his works and another exhibition to commemorate his birth centenary, courtesy artist’s daughter, Chandana Hore. His memoirs and a book on his musing on art may be considered as a prized possession published by Debovasha.